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Andrew Hook Centre

About us

Since the seventeenth century Glasgow has been a gateway for economic, social and cultural exchange between Scotland and North America.

From the tobacco trade to the annual Transatlantic Sessions concerts, these connections provide the foundation for American Studies at the University of Glasgow, which has long been at the forefront of the study of American society and culture in the British Isles. The University of Glasgow was one of the first British universities to take seriously the study of the literature, history and politics of the United States of America. John Nichol (Glasgow’s first Regius Professor of Literature, appointed in 1862) taught American literature at a time when no British and very few American academics believed that American literature deserved to be considered part of English literature. His book American literature: an historical sketch, 1620-1880 (1882) was the first such volume to be published on either side of the Atlantic.

In 1997 the University of Glasgow recognized this heritage with the creation of the Andrew Hook Centre for American Studies. The Hook Centre has become Scotland’s only centre for American Studies, and it sponsors the most extensive American Studies lecture and seminar series in Scotland, which is open to academics, students and the general public.

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Upcoming events

Welcome Event

Tuesday 22nd September, 2026
4pm-5.30pm in the Humanities Hub,
1 University Gardens
All are welcome, and we particularly encourage you to invite your PGT and PGR students so that we have a chance to connect with everyone working on an aspect of the United States at the University.

Dr. Stephen Bowman (Stirling) and Dr. Kieran Taylor (Queen Margaret University): "Portable City"

Tuesday 29th September, 2026

4pm- 5.30pm in the Humanities Hub, 1 University Gardens.

Forthcoming

Forthcoming

Dr. Megan Hunt, Magic City Movies: Modernity, Race, and Moving Pictures in the Urban South, 1896-1915

Tuesday 13th October 2026, 4pm-5.30pm
in the Humanities Hub, 1 University Gardens.

This paper introduces the intertwined evolution of segregation and modern entertainment in the urban U.S. South, spotlighting industrial cities like Birmingham, Alabama as crucial incubators for both the possibilities and limitations of early cinema in a deeply racist and profoundly gendered society. This history illuminates how American public spaces have always been contested, and the extent to which white and Black southerners shaped the meaning of movie distribution and cinema-going in a manner often obscured in studies focused on northern cities like New York and Chicago. To overlook the South is to present only half the story, and obscures the full extent to which the cinema and racial segregation developed in relation to one another. As this paper will demonstrate, attention to the development of motion pictures in the urban South complicates our understanding of the earliest decades of American cinema culture, as well as the built environment of the former Confederacy.